From The Floppy Disk
Interview with Lelia Broussard
The Midnight Wiki had the honor of interviewing Lelia Broussard of Jupiter Winter in January 2021. Lelia joined The Midnight as a touring member for the Fall 2019 Tour and also co-wrote and sang guest vocals on the song Monsters. She talks to us about beginning her music career at a young age, the pros and cons of being independent versus being signed to a label, appearing on TV on Jimmy Fallon and The Voice, her work with The Midnight, and her plans for Jupiter Winter in 2021.
What have you been up to lately?
I’ve just been making a lot of music! It’s been kind of nice to have all of this uninterrupted time to write. Royce and I are working on a Jupiter Winter album which is very exciting for me. Other than writing and working on music, I’m really into cooking. I go on a lot of hikes, I do a lot of workouts in my yard. Ha! Just trying to stay sane and not get or give anyone covid.
Let's go back to the beginning. When do you realize you wanted to pursue a career in music? How did you get your start in the music business?
I developed a big interest in music very early on. I sang incessantly as a kid and I started playing guitar around 12 or 13. I was writing songs as soon as I could string a few chords together and it’s been a lifelong love and pursuit ever since.
As far as my start in the business, when I was a teenager I would religiously seek out every open mic I could find to practice performing in front of an audience. I started playing shows around the Philadelphia area, made some recordings of my songs and started selling them at my shows. 88.5 WXPN - the public radio station in Philadelphia generously gave me some early support and helped to grow my audience in the beginning. When I was 17 I skipped going to college and moved to New York instead where I began collaborating with other writers and producers and doing a little bit of touring. That eventually led to my first publishing deal.
I was able to learn a lot about you that I didn't know when I created your article on the wiki. You released a few albums independently starting at a very young age. What was that experience like?
It was amazing! I don’t know if I deserved to record in a studio with the incredible musicians I got to work with just yet. I was a baby who had no idea who I was as an artist and I definitely wasn’t writing very good songs yet but it was a great learning experience and a huge privilege to be exposed to that world so early on.
I read that you had inked a publishing deal and lived in Los Angeles for a time. What other artists and writers do you work with? Did you/do you enjoy writing and making music for other people?
I did! The first publishing deal I signed was more focused on my own artist development, so I wasn’t really writing for others at that point. I started writing for other artists and projects a few years later, and yes! I love making music for other people. It can be kind of freeing to work on something for someone else because there can be a lot of overthinking and preciousness that goes on when making your own music. I love to help other artists realize their artistic vision and to help them say something that feels honest and true. With the right fit it can be very fulfilling.
You've dipped your toes in many facets of the music industry - you've crowdfunded an album, have done solo work, was in a band (Secret Someones) and signed to a label, toured extensively on stages big and small - what would you say is the biggest thing you've learned? Do you think an artist should try to stay independent as long as they can?
Don’t compare your path to anyone else’s. I’m still learning that one. Study the greats and always find and celebrate the joy in making music, especially when it becomes your job. Write a LOT and don’t be too precious with your ideas. That’s a lot easier to do when you’re prolific. Routines and staying connected to yourself, whatever that means for you really help with creativity. It can be good to stay independent as long as you can, but I think it just depends on the circumstance. There’s so much you can do now as an independent artist and getting as far as you can on your own obviously means more leverage for a better deal. My band Secret Someones got signed pretty much right away, and that wasn’t necessarily a bad thing for us. Labels can provide a lot of support but they also suck in a lot of ways. I think it just depends on your circumstances.
You've been on TV several times - Jimmy Fallon, The Voice - am I missing anything? What was it like being on television?
Nerve wracking! The Voice is fucking terrifying. It’s a lot of pressure and they make sure you’re well aware of that. Jimmy Fallon was a blast. He was very nice and exactly the person you would hope he is. My band and I got to write a parody song about an audience member and it was the best. Questlove liked my song and that made my life.
How was it competing on singing competitions?
Honestly, it was a wild experience. I met some wonderful people that I love dearly, but reality tv is a strange beast. If you don’t fit into the mold that the producers have invented for you, you won’t last on the show. It was definitely an interesting experience, but I can’t say that I would ever do it again.
Your current project is Jupiter Winter. How did you meet Royce, and when did you guys decide to team up and start making music together?
Yes! Royce and I met on tour in 2015 at The Wonder Ballroom in Portland (which was coincidentally my first gig with The Midnight years later!) I was playing with my band, Secret Someones and we were opening for our Canadian label mates, Marianas Trench. Royce was working with Marianas and we became friends over the tour and after that we started dating. Shortly after we started dating my band broke up and I was trying to find my own creative voice again, and we just started making stuff. It’s taken a long time to evolve into what it is now, but it’s been the best growing and learning experience!
What are each of your roles in this project? What type of sound are you going for?
Royce is more focused on production and I’m more focused on the songwriting, although both of us contribute to both aspects. Lately I’ve been writing and fully producing out a demo, then I’ll take it to Royce and he’ll add in new elements and help to polish and finish it. Sometimes Royce will write and produce a track on his own and I’ll write a topline (lyric + melody) over it. We love a mix of organic and electronic elements. We want to make smart pop music that makes you feel things. I guess that’s indie pop? Tyler says we’re pop wave. I hadn’t heard of it before but I think that feels like an accurate genre for us.
Let's get into your involvement with The Midnight. I've read that you got the touring role through an audition. Can you tell me a bit more about that process and experience?
A wonderful artist manager friend of mine recommended me to their team. We chatted on the phone and they asked to see a few videos of me playing their songs. Tyler and I had been in the same singer/songwriter community for many years, although I don’t think we had ever formally met. He was familiar with me as an artist and songwriter and I had a lot of other mutual friends with the guys. After sending a few videos of me playing, singing and doing my thing over their recordings they asked me to join them for their upcoming tours and after that I had I think two weeks to learn about 25 songs. It was intense but so much fun!
Prior to joining The Midnight on tour, did you have any prior experience or exposure to the synthwave genre?
No, I didn’t!
The synthwave genre and style is quite different from the music you've made for most of your career. Did you find it difficult to learn and get in tune with the songs?
I didn’t find it to be extraordinarily different than learning any other genre or style of music. Most of their songs have a very classic pop structure but their palette is very specific. Recreating all the sounds is one of my favorite parts of doing this gig.
OK - let's talk Monsters, the song. I remember when I saw The Midnight in Fall 2019 Tour, Tyler originally sang all parts of the song. When was it decided that you would sing on the album version? (you sound great by the way!)
Thank you! Yes! While we were on tour in 2019 we were playing a few new songs they were working on, Monsters being one of them. They had the idea to make it into a duet and they gave me the opportunity to take a stab at rewriting and singing the second verse which was so very cool of them. I did it on one of our days off in a hotel room somewhere in the US and thankfully they liked what I did. I’ve played with a lot of artists and it’s not very often that you’re welcomed into their creative process, so it’s been a real honor to get to collaborate with the guys in that way.
Let's talk about the amazing The Midnight Online concert you guys did last fall. When did you first hear that the band was interested in doing a livestream concert? Was it odd to play in a big outdoor venue with no fans?
They let us know a few months before so we thankfully had plenty of time to prepare. Oh my gosh it was so incredible to play music with my favorite people again. All of us had missed it so much. It was very weird and a little sad with no fans, but it was such a huge joy to be able to come together to do that.
What is your favorite The Midnight song to perform and/or your favorite The Midnight song in general? (other than Monsters!)
That’s so hard! I really have so much fun playing the whole show. I love playing America 2, Lost & Found, Los Angeles, I have a blast playing the solo in Gloria. From the new record, Last Train is VERY FUN for me. Neon Medusa is crazy. Royce shreds and that riff is so fun to play.
What are your plans as a musician for 2021? Do you think you and Royce will release an EP or album sometime this year?
Yes, we’re working on an album for Jupiter Winter and I’m so excited to have a whole body of work to finally be able to share. Hopefully we’ll have it wrapped up later this year. I just want to continue growing as a person and an artist and writing, more collaborating with my friends and making things that feel honest and true.
Anything you'd like to say to all the Kids and Monsters out there in The Midnight universe?
Just that I have so much love for all of you! Thank you for being so sweet and welcoming to me. Best fans in the world.
Be sure to follow Lelia and Jupiter Winter on Instagram!
Click the heading above to read more!
Brooklyn. Friday. Love.
| "Brooklyn. Friday. Love." | ||||
|---|---|---|---|---|
| Single by The Midnight | ||||
| from the album Heroes | ||||
| Released | August 3, 2022 | |||
| Length | 3:52 | |||
| Label | Counter Records | |||
| Songwriter(s) | ||||
| Producer(s) | Tim McEwan | |||
| Heroes track listing | ||||
| The Midnight singles chronology | ||||
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|
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Brooklyn. Friday. Love. is a song by The Midnight. It is the fourth single and second track from their album Heroes. The single was released on August 3, 2022.[1]
The song was written by band members Tyler Lyle and Tim McEwan alongside Nikki Flores and Royce Whittaker. It was produced by McEwan. It has a running time of three minutes and 52 seconds and is in the key of F major. Brooklyn. Friday. Love. has its roots in Lyle's From The Secret Lair project, first appearing on episodes 7 and 25 of season one before being released on Mr. Green's B Sides. A breakdown of the track by McEwan was streamed on Twitch on August 5, 2022.[2]
In an interview with Magnetic Magazine, Lyle elaborated on the song's meaning:[3]
I wrote the initial version of Brooklyn. Friday. Love. in 2016 as a surf rock song while I was living in Ft. Greene. On days when I couldn’t stand staring at my computer screen anymore- usually around 4:00, I would get on a Citibike and ride up Flushing Avenue around the Navy Yard to Williamsburg.
My wife was working long hours at a corporate job in Midtown and usually wasn’t home before 8, so I would walk, well, I would walk and drink Happy Hour bourbon and cokes at Skinny Dennis, and I would look for books at Spoonbill & Sugartown, and vinyl at Rough Trade.
There was a refreshingly weird creative energy that permeated gentrifying Brooklyn that I’d never felt before. It struck me as a kind of weirdo heaven for a kid who grew up in the Bible Belt. When I die I want to go to Skinny Dennis and hear Zydeco or some Bushwick loft party Modular Synth set. Anyway, the place changed.
Apple and Whole Foods soon arrived in Williamsburg and Ft. Greene, the rents went up, the neighbors were no longer starving artist types. My wife and I also grew up- we had a baby and shortly thereafter we decided to end our five year relationship with Brooklyn.
The song became a Midnight song in 2021- two years after I left Brooklyn for Atlanta. I went back to visit New York for the first time during a lull in COVID waves to see my old neighborhood. 1/3 of the businesses were closed. There was more graffiti, and trash piled on the street like I’d never seen it before. I felt like I was seeing the ghost of an old friend. Reworking the song as an idyll to fit The Midnight felt like a way to honor the strangeness and vibrancy of a Brooklyn that seemed to disappear.
Thankfully most of the splendor has returned to the shabby neighborhoods I love, but I’m approaching my late 30s now, with a family and a mortgage and a more predictable life. The thought of drinking absinthe, or staying up past midnight to watch live music, or spending a day writing indie pop songs in an unheated Bushwick squat is unimaginable. This song is about an ideal that may still exist. It just can’t exist for me anymore.
Music video
On August 9, 2022, a music video was announced for Brooklyn. Friday. Love.[4] The video premiered on August 11, 2022.[5] It was directed by Caleb Mallery and filmed at Little Trouble in Atlanta, GA on July 17, 2022.[6]
The video begins with a rainy outside view of a bar, said to be "Somewhere in Brooklyn". The scene moves inside the bar and various patrons are seen congregating on the dance floor in front of a stage. A Comtek branded CRT TV advertising karaoke is shown next and the song begins. A female patron (portrayed by Julia Vasi) steps up to the microphone on stage and begins singing the song. Various happenings of bar patrons are shown, some aligning with the lyrics of the song. After the line "across the bar sat the hip-hip purist", Tyler Lyle and Tim McEwan are seen conversing at a table, their only appearance in the video. After the first chorus, a male bar patron (portrayed by Daniel Di Amante) is seen taking a seat at an empty table. As the song progresses, the camera continues to alternate between shots of the TV displaying the song lyrics and patrons beginning to take note of the woman singing on stage. Eventually, everyone begins singing along with the song and they make their way to the dance floor. The man and the woman on stage lock eyes, and begin to dance with each other as the other patrons dance around them as the credits roll, concluding the video.
Track listing
| No. | Title | Writer(s) | Length |
|---|---|---|---|
| 1. | "Brooklyn. Friday. Love." |
| 3:52 |
| 2. | "Heartbeat" |
| 3:50 |
| 3. | "Avalanche" |
| 4:27 |
| 4. | "Change Your Heart or Die" |
| 3:31 |
| Total length: | 15:40 | ||
Lyrics
Day-trader in a tie-dye jumpsuit
And a gutter punk kid with a neck tattoo
Hooking up at the unisex bathroom
It was Brooklyn
it was Friday
it was love
Across the bar sat the hip-hop purist
Arguing with the jazz obscurists
And in the corner were the terrified tourists
Brooklyn. Friday. Love.
Angel choirs on the corner all night
Sing Johnny Cash and Jackson 5
Little heaven you can stumble into
We got your invite tonight
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Don't try to fight it
Oh, it's just Brooklyn on a Friday
They come from Mississippi and La La Land
New wave hippies and the pop goth glam
It's just 'cause parents don't understand
It was Brooklyn
It was Friday
It was love
From this roof you can see the stars
We are the left bank dreamers
And the avant garde
I'll sing my borrowed song on your borrowed guitar
It was Brooklyn
It was Friday
It was love
Angel choirs on the midnight G train
Some Beastie Boys and Kurt Cobain
Revolution you can learn to dance to
With a friendly face on the way
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Bushwick Avenue
Bedford Avenue
Franklin Avenue
I'm on my way
Where are you
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Don't try to fight it
Oh, it's just Brooklyn on a Friday
Don't try to fight it
Oh, it's just Brooklyn on a Friday
It's just Brooklyn on a Friday
It's just Brooklyn on a Friday
Bushwick Avenue
It's just Brooklyn on a Friday
Bedford Avenue
It's just Brooklyn on a Friday
Franklin Avenue
It's just Brooklyn on a Friday
I'm on my way
It's just Brooklyn on a Friday
Official versions and other media
Brooklyn. Friday. Love. - Instrumental
from Heroes (& Instrumentals)
References
- ↑ "the midnight on Twitter". Twitter. July 30, 2022. Archived from the original on August 2, 2022. Retrieved August 2, 2022.
- ↑ "the midnight on Twitter". Twitter. August 5, 2022. Archived from the original on August 5, 2022. Retrieved August 5, 2022.
- ↑ Vance, Will (August 4, 2022). "Lyrics To The Midnight's 'Brooklyn.Friday.Love.' And The Story That Put Words To Music - Magnetic Magazine". Magnetic Magazine. Archived from the original on August 5, 2022. Retrieved June 11, 2023.
- ↑ "the midnight on Twitter". Twitter. August 9, 2022. Archived from the original on August 9, 2022. Retrieved August 9, 2022.
- ↑ "The Midnight - 'Brooklyn. Friday. Love.' (Official Video) - YouTube". YouTube. August 11, 2022. Archived from the original on August 11, 2022. Retrieved August 11, 2022.
- ↑ "Instagram photo by the midnight • Jul 17, 2022 at 4:53 PM". Instagram. July 17, 2022. Archived from the original on April 21, 2024. Retrieved September 8, 2022.
Click the heading above to read more!
Nocturnal
| Nocturnal | ||||
|---|---|---|---|---|
| Album by | ||||
| Released | October 13, 2017 | |||
| Genre | Synthwave | |||
| Length | 42:20 | |||
| Label | The Midnight Music | |||
| Producer | Tim McEwan | |||
| The Midnight chronology | ||||
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| Singles from Nocturnal | ||||
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Nocturnal is the second album by The Midnight. It was released independently by the band on October 13, 2017.[1] Crystalline was the lone single to release from the album.
Background and composition
The first hint of new music from The Midnight after the August 2016 release of Endless Summer was a snippet Tim McEwan posted to social media in December that same year.[2] The snippet had a title of Comet and featured McEwan as the vocalist, which would have been the first time since Synthetic that a song with his vocals was on a The Midnight release. Ultimately, Comet did not end up making the then-unknown album but was promised by McEwan to be released one day. The song was eventually included on the 5 Year Anniversary Edition reissue of Endless Summer.
In February 2017, a video of Nikki Flores singing to an unidentified song (which would turn out to be Light Years) was shared by the band.[3] McEwan shared in early March that he was en route to New York City to write new songs with Tyler Lyle.[4] The same week, McEwan said that there were some "moody vibes in the studio right now."[5] Also in March, it was posted on social media that a song titled Maniac Cop was being worked on, but no snippet was shared.[6] As no song on Nocturnal has that name, it is not known if the title was later changed or if the song was cut from the album. In late March, continuing production of new material was hinted at with McEwan posting that he was "struggling with the ever elusive kick drum."[7]
More information about new songs and a new album continued to be shared over the first half of 2017. In April, the band shared that the next album "will have a slightly darker tone"[8] and also shared a snippet of a song presumably titled Lone Wolf.[9] This particular song did not make the album but was later confirmed by McEwan to appear on a future album instead.[10] A clip of Collateral was posted in early May.[11] In June, McEwan shared that he was "going through guitar takes for one of our new songs" and further stated that "the lead sound is SO PERFECT. Very 'In The Air Tonight'."[12] In June, the band shared that "there's a track on the new album that'll make your nose bleed."[13] Lyrics from what would end up being the song Crystalline were posted in early July.[14]
On August 9, 2017, The Midnight officially confirmed that a new EP (later regarded as an album) was being released on October 13.[15] About a week later, an upcoming single titled Crystalline was teased and was referred to as a song that "will set the tone for the new EP."[16] Later in August, a clip of Tokyo Night Train was shared. On August 23, the EP's title of Nocturnal was announced alongside a snippet of the title track.[17] A few days later, the artwork for Nocturnal was teased with McEwan saying "if you like movies like Drive, Blade Runner, Thief, Manhunter and The Terminator then you going to love the artwork for Nocturnal."[18] The band said in early September that the new EP "will be slightly more introvert" and "less concerned about big hooks and more about creating mood and vibe."[19] A short clip of Crystalline was shared on September 9 and the single was said to be "coming soon."[20] On September 13, the band said they were "putting the finishing touches to the mix of our first single Crystalline."[21] Two days later, the band referred to Crystalline as being "different, yet still familiar" and stated that they "went off book a little bit" with the song.[22] Another snippet of Crystalline was shared on September 18 and a release date of September 22 was announced.[23] The single artwork was revealed on September 21.[24]
After the single release, more new lyrics (this time from Shadows) were posted towards the end of September.[25] It was also shared in another post that a track from Nocturnal would have a solo "that is a straight up homage to Whitesnake's Is This Love."[26] During an interview with LA Music Blog on the release day of Crystalline, McEwan said the following about Nocturnal:[27]A small snip of the album artwork was shared on October 6, [28] and a collaboration with Timecop1983 was teased on October 7.[29] Names of the tracks from Nocturnal were shared over the following days, and the full artwork was revealed on October 9.[30] A duet with Nikki Flores titled Light Years was revealed on October 11 and was said to be a "spiritual successor to Jason."[31] The complete tracklist was revealed on October 12,[32] and Nocturnal was officially released the following day on October 13.[33]It’ll be more in line with “Vampires” or another track called “Equalizer”. What inspires me is usually movies. The aesthetic I’m going for with this new EP is more older Michael Mann movies like Thief and Heat or James Cameron’s The Terminator from 1984. That kind of nighttime, Los Angeles, cruising around the city, streetlights, neon, maybe a little bit of rain coming down the windscreen. It’ll have more moody, cooler vibe. It’ll be less John Hughes and more Miami Vice at night.
Two days after release, Nocturnal was the top-selling release on Bandcamp and it remained in the top spot for over a week.[34][35][36] The album charted at number seventeen on the Billboard Dance/Electronic Albums Chart after release and the following year it peaked at number seventeen on the Billboard Heatseekers Album chart.[37][38] Nocturnal received mainly positive reviews from critics, who noted the darker and more mature sound compared to Days of Thunder and Endless Summer.[39][40][41][42][43] It was chosen by NewRetroWave as their top EP of 2017.[44]
Nocturnal contains seven tracks, but there was originally planned to be more, with the band deciding to cut several songs that didn't fit the overall theme of the album.[45] Lyle initially envisioned the album as a "full Halloween/October release that was bit darker than the usual The Midnight fare." The idea of a Halloween-themed EP was later revisited by The Midnight in 2020 with Horror Show. The band said they were inspired by several noir themed shows and films, including Stranger Things, The Terminator, and the movies created by John Carpenter.
Nocturnal sees The Midnight collaborating again with Nikki Flores on the song Light Years. Flores co-wrote the song and provides vocals to accompany those of Lyle. She previously worked with the band on the song Jason from Endless Summer. Additionally, The Midnight also collaborated with popular synthwave artist Timecop1983 on the track River of Darkness.
Singles
Track listing
All tracks are written by Tim McEwan and Tyler Lyle except where noted.
| No. | Title | Length |
|---|---|---|
| 1. | "Shadows" | 6:27 |
| 2. | "Crystalline" | 6:02 |
| 3. | "Collateral" | 5:46 |
| 4. | "River of Darkness (feat. Timecop1983)" (Lyle, McEwan and Jordy Leenaerts) | 6:05 |
| 5. | "Nocturnal" | 7:03 |
| 6. | "Light Years (feat. Nikki Flores)" (Lyle, McEwan and Nikki Flores) | 5:21 |
| 7. | "Tokyo Night Train" | 5:36 |
| Total length: | 42:20 | |
Credits
Additional instrumentation was provided by Thomas Edinger (saxophone), Pelle Hillström (lead guitar on Crystalline & River of Darkness), Mads Storm (synth guitar solo on Collateral), Dan Rockett (guitar harmonics on Collateral), Kristiane (Crystalline whisper) and Nikki Flores (vocals on Light Years).
The album was mixed by Tim McEwan and mastered by Anders Schumann.
Artwork by David Legnon.
Songs that inspired Nocturnal
On January 26, 2018, The Midnight shared a Spotify playlist of songs that inspired the music on Nocturnal.[46][47] The songs on the playlist are:
- "Paint It, Black" (The Rolling Stones)
- "The Terminator Theme (Extended Version)" (Brad Fiedel)
- "Bad As Me" (Tom Waits)
- "In The Air Tonight - 2015 Remastered" (Phil Collins)
- "Red Right Hand - 2011 Remastered Version" (Nick Cave & The Bad Seeds)
- "You Belong To The City" (Glenn Frey)
- "The System Only Dreams in Total Darkness" (The National)
- "A Thousand Years" (Toto)
- "Waiting Around to Die" (Townes Van Zandt)
- "Theme from "St. Elsewhere"" (Dave Grusin)
- "Bloody Mother Fucking Asshole" (Martha Wainwright)
- "Pretty Pimpin" (Kurt Vile)
- "Is This Love - 2007 Remastered Version" (Whitesnake)
- "The Thunder Rolls - Cover" (All That Remains)
- "Love on a Real Train" (Tangerine Dream)
- "Because the Night" (Patti Smith)
- "Frankfurt" (Pryda)
- "Midnight" (Coldplay)
- "Clean" (The Japanese House)
- "When the City Sleeps" (Voyager 12)
- "Paint It Black" (8-Bit Misfits)
- "Infinite" (Notaker)
Release history and variants
| Date | Edition |
|---|---|
| October 13, 2017 | Standard |
| December 15, 2017[48] | Instrumentals |
| April 2, 2021 | Stems |
| Year | Format | Color/Design |
|---|---|---|
| 2018 | Cassette | White |
| 2018 | Cassette | Blue |
| 2018 | LP | Blue |
| 2018 | LP | Pink |
| 2022 | CD | - |
| 2024 | LP | Transparent Blue |
References
- ↑ https://themidnight.bandcamp.com/album/nocturnal
- ↑ https://www.facebook.com/TheMidnightOfficial/videos/1798807050344106
- ↑ https://www.facebook.com/TheMidnightOfficial/videos/1836541939903950
- ↑ https://www.facebook.com/permalink.php?story_fbid=1839389036285907&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1840036032887874&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1843002199257924&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1849686015256209&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1859728167585327&id=1396858670538948
- ↑ https://www.facebook.com/watch/?v=1859828360908641
- ↑ https://twitter.com/TheMidnightLA/status/1198463902842941440
- ↑ https://www.facebook.com/TheMidnightOfficial/videos/1872524036305740
- ↑ https://www.facebook.com/permalink.php?story_fbid=1890587614499382&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1898480393710104&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1903497283208415&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1918051898419620&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1920779604813516&id=1396858670538948
- ↑ https://www.facebook.com/watch/?v=1924036174487859
- ↑ https://www.facebook.com/permalink.php?story_fbid=1925869540971189&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1927901600767983&id=1396858670538948
- ↑ https://www.facebook.com/watch/?v=1930558317168978
- ↑ https://www.facebook.com/permalink.php?story_fbid=1932148527009957&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1932583993633077&id=1396858670538948
- ↑ https://www.facebook.com/watch/?v=1934127390145404
- ↑ https://www.facebook.com/1396858670538948/photos/a.1423071464584335/1935311236693686
- ↑ https://www.facebook.com/permalink.php?story_fbid=1936371556587654&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1938284856396324&id=1396858670538948
- ↑ https://web.archive.org/web/20180130121456/http://lamusicblog.com/2017/09/interview/interview-with-the-midnight/
- ↑ https://www.facebook.com/1396858670538948/photos/a.1423071464584335/1941183679439775/?type=3
- ↑ https://www.facebook.com/permalink.php?story_fbid=1941971689360974&id=1396858670538948
- ↑ https://www.facebook.com/1396858670538948/photos/a.1423071464584335/1942497015975108
- ↑ https://www.facebook.com/permalink.php?story_fbid=1943530275871782&id=1396858670538948
- ↑ https://www.facebook.com/1396858670538948/photos/a.1423071464584335/1944001235824686
- ↑ https://www.facebook.com/permalink.php?story_fbid=1944114642480012&id=1396858670538948
- ↑ https://www.facebook.com/1396858670538948/photos/a.1528254687399345/1944439209114222/
- ↑ https://www.facebook.com/permalink.php?story_fbid=1946294448928698&id=1396858670538948
- ↑ https://www.facebook.com/permalink.php?story_fbid=1948361688721974&id=1396858670538948
- ↑ "The Midnight - 'Nocturnal' is no. 17 on @billboard... | Facebook". Facebook. October 30, 2017. Archived from the original on March 24, 2024. Retrieved March 24, 2024.
- ↑ https://www.billboard.com/music/the-midnight/chart-history/TLN/song/1049930
- ↑ Sievers, Alex (October 16, 2017). "Album Review: The Midnight - 'Nocturnal' | KillYourStereo | Australian and International Punk, Hardcore, Metal, Rock and Indie Music News, Reviews, Interviews and Comps". KillYouStereo. Archived from the original on March 24, 2024. Retrieved May 8, 2023.
- ↑ https://newretrowave.com/2018/09/17/the-midnight-the-nocturnal/
- ↑ https://newretrowave.com/2017/10/23/the-midnight-nocturnal/
- ↑ https://vehlinggo.com/2017/10/31/recommended-listening-the-midnight-mr-eff-more/
- ↑ https://synthspiria.com/the-midnight-nocturnal/?fbclid=IwAR28-skbnQvaA7qa8F13dH91eZTj31Q9DlZWVeiWMOsO5RD80Mj5aBR63-Q
- ↑ https://newretrowave.com/2017/12/28/top-ten-retrowave-eps-of-2017/
- ↑ "Who Are The Midnight?: An Interview with the Masters of Modern Nostalgia". Vehlinggo. November 12, 2017. Archived from the original on March 24, 2022. Retrieved April 3, 2022.
- ↑ "The Midnight - -Spotify Playlist- As you'll hear, Tyler and... | Facebook". Facebook. January 26, 2018. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
- ↑ "The Midnight: Songs that inspired Nocturnal - playlist by The Midnight | Spotify". Spotify. January 26, 2018. Archived from the original on March 16, 2024. Retrieved March 16, 2024.
- ↑ https://themidnight.bandcamp.com/album/nocturnal-the-instrumentals
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